ORGANS IN & AROUND CHESTERFIELD
ST. MARY & ST. LAURENCE, BOLSOVER The small market town of Bolsover lies in the heart of the coal-mining area of north-east Derbyshire, a few miles east of Chesterfield. St. Mary's church dates from the 13th-century, and has twice suffered fire damage, in 1867 and 1960. Today's interior has a pleasing sense of majesty and spaciousness though the church is not large. Old and new harmonize well.This instrument was destroyed in the fire which gutted the church in 1897.In 1867 an organ was installed by Forster & Andrews (Hull). The following stoplist comes from 'The Choir and Musical Record', March 1867:
GREAT 8 Open Diapason 8 Stopped Diapason treble 8 Stopped Diapason bass 8 Dulciana prepared for 4 Principal 4 Flauto Traverso 2 Fifteenth III Mixture prepared for SWELL 16 Lieblich Bourdon 8 Diapason treble 8 Diapason bass 4 Principal 8 Oboe PEDAL 16 Bourdon 3 unison couplers.
In 1956 Henry Willis III visited the church to inspect an organ installed by Brindley & Foster of Sheffield (in the 1920s?). The stoplist is recorded as follows in the Willis archive:
GREAT
16 Contra Flute
8 Open Diapason
8 Flute Fondamentale
8 Dolce
4 Flute Octaviante
2 Fifteenth
SWELL
8 Stentorphone
8 Tibia Mirabilis
8 Viole de Orchestre
8 Unda Maris
4 Octave Viol
8 Cornopean
PEDAL
32 Double Bass
16 Major Bass
16 Minor Bass
3 unison couplers, Swell 8ve & Sub8ve.
Composition pedals: 4 Great, 4 Swell.
Compass: 61/30.
This specification is not untypical of contemporary instruments by Brindley & Foster.
The unusual stop names were little more than window-dressing for a standard complement of
pipes: 'Flute Fondamentale' was a Hohl Flute; 'Stentorphone' was an Open Diapason; 'Tibia
Mirabilis' was a Gedact, and so on.Willis described the organ as "dreadful and of a debased Brindley period", and immediately suggested tonal improvements - a 4ft. principal instead of the 4ft. flute on Great; a Swell mixture and 16ft. reed; 8ft. and 4ft. flutes on the Pedal. The church was still debating whether to go ahead with the work when the organ was destroyed by fire early in 1960.
Willis wasted no time, and on January 19th 1960 submitted a proposal for a new organ to be based on the redundant 1903 Lewis from Glasgow City Hall. This instrument was a beefy four-manual with 53 speaking stops, as follows:
GREAT: 16.16.8.8.8.8.4.4.2 2/3.2.IV.16.8.4Willis proposed to keep the majority of the pipework with some alterations and additions. His suggested scheme, with three manuals and 59 stops, was amazingly ambitious for a not over-large church in a working-class area.
SWELL: 16.8.8.8.8.8.4.4.2.V.16.8.8.4
CHOIR: 16.8.8.8.4.4.2
SOLO: 8.8.8.4.16.8.8.8
PEDAL: 32.16.16.16.16.8.8.8.16.8
GREAT
16 Double Open Diapason
8 Open Diapason No.1
8 Open Diapason No.2
8 Stopped Diapason
8 Aeolian
4 Octave Diapason
4 Flute Couverte
2 2/3 Twelfth
2 Fifteenth
IV Mixture 19.22.26.29
16 Contra Tromba
8 Tromba
4 Octave Tromba
(reeds enclosed in their own swell box)
 
SWELL
16 Quintade
8 Open Diapason
8 Rohr Flute
8 Viola da Gamba
8 Voix Celestes TC
4 Fugara
4 Gedeckt
2 Flautino
III Chorus Mixture 15.19.22
III - V Cornet 12.15.17/1.8.12.15.17
16 Contra Fagotto
8 Trompette
8 Oboe
4 Clarion
Tremolo
 
POSITIF (manual 1: unenclosed)
8 Nachthorn
4 Gemshorn
4 Coppel
2 2/3 Nazard
2 Sifflote
1 3/5 Terz
III Cimbel 26.29.33
Tremolo
 
CHOIR-SOLO (manual 1: enclosed)
8 Hohl Flute
8 Violoncello
8 'Cello Celestes TC
4 Concert Flute
2 2/3 Solo Nazard
2 Piccolo
8 Cromorne
8 Flugel Horn
Tremolo
 
PEDAL
32 Sub Bass (resultant)
16 Open Bass
16 Violon
16 Salicional
16 Bordun
8 Octave (ext.)
8 Violoncello (ext.)
8 Bordun (ext.)
4 Super Octave (ext.)
4 Bordun (ext.)
2 Bordun (ext.)
IV Mixture 12.17.19.22
32 Contra Trombone (ext.)
16 Trombone
8 Trumpet (ext.)
30 couplers.
3-way rocker tablet for: Positif - Both - Choir/Solo.
Full complement of pistons & accessories.
The price for this scheme was to be in the region of £12,500. The church, perhaps
overwhelmed by the magnitude of Willis's aspirations for them, decided to purchase a smaller
organ. By coincidence, this also used material from a Lewis organ from Glasgow (St.
George's). For £8,850 the church got a Willis organ of three manuals and 32 speaking
stops, quite adequate for their needs. (The organ from Glasgow City Hall went to the much
larger church of St. Mary, Chesterfield where it was rebuilt by
Willis in 1963 with 3 manuals and 56 speaking stops.)Here is the stoplist of the 1962 Lewis/Willis organ at Bolsover:
GREAT
16 Quintade
8 Open Diapason No.1
8 Open Diapason No.2
8 Flute Harmonique
4 Octave
2 2/3 Twelfth
2 Superoctave
IV Mixture 17.19.22
8 Tromba unit
SWELL
8 Geigen Diapason
8 Rohr Flute
8 Viola da Gamba
8 Voix Celestes tc
4 Fugara
III Mixture 15.19.22
16 Contra Oboe
8 Trumpet
4 Krummhorn
Tremolo
POSITIF
8 Gedackt
8 Salicional
4 Coppel
III Cornet 12.15.17
8 Tromba unit
Tremolo
PEDAL
32 Sub Bass resultant
16 Open Bass metal
16 Bourdon
16 Quintade Great
8 Octave Bass extension
8 Bourdon extension
4 Super Octave extension
4 Bourdon extension
IV Mixture 12.17.19.22
16 Trombone unit
Couplers: 6 unison; Swell 8ve & unison off; Positif 8ve, sub8ve & unison off.
Swell 8ve to Great & Pedal; Positif 8ve to Great & Pedal.
Great & Pedal combinations coupled.
Thumb pistons: 0,1,2,3,4 to each Swell, Great, Positif, adjustable by switchboard.
Reversibles for 6 unison couplers, 8ve couplers cancel.
General cancel.
Rocker tablet for doubles on/off.
Toe pistons: 0,1,2,3,4 to each Pedal, Swell (duplicating).
Reversibles for Great to Pedal, Trombone 16ft.
Balanced pedals to Swell and Register Crescendo.
Compass: 61/30.
Electro-pneumatic action.
Wind pressures: Great flues 4in, Swell 5in, Positif 3 1/4in,
Pedal flues 4 1/2in, Tromba/Trombone unit 7in.
Full complement of pistons & accessories.
In 1992 a new transmission system was installed by George Sixsmith & Son Ltd. (Mossley,
Lancashire); a Clarinet was prepared for on Positif.
This organ holds a special place in my affections; I gave my first public organ concert here in 1980, at the age of 15. Even then I realised it was a quality job. Revisiting the church in 1994 I enjoyed renewing my acquaintance with the instrument. The Lewis diapasons are, as one would expect, forthright and telling; they are matched by the Willis reeds, and the plenum is quite as much as the building can take. (One shudders to think of the musical effect had Henry III's 1960 plan been implemented, Tromba chorus, 32ft. reed and all.) Other details were not so much to my taste - the harmonium-like Swell strings; the Positif flutes and mutations, which provide neither a bold neo-baroque chorus nor delicate 1930s 'synthetic' effects. But overall this is a Rolls-Royce instrument of which the church is rightly proud.
GREAT
8 Open Diapason pneumatic basses
8 Hohl Flute
8 Dulciana 1-12 grooved
4 Principal
SWELL
8 Violin Diapason
8 Gedact 1-12 grooved
8 Gamba
4 Gemshorn
8 Cornopean
PEDAL
16 Bourdon
8 Bass Flute
3 unison couplers.
2 composition pedals to Great, 2 to Swell.
Balanced pedal to Swell.
Compass: 58/30.
Tracker action to manuals, pneumatic to pedals.
In 1964 the organ was moved by Willis to Holy Cross Church, Upper Langwith. In 1987 it was
overhauled by Chalmers & Hyde (Dronfield), who removed the Gemshorn and Cornopean
from Swell and substituted a Principal and a Fifteenth. The NPOR record
here gives the
most recent stoplist.
GREAT
8 Open Diapason
8 Hohl Flute
8 Dulciana
4 Harmonic Flute
SWELL
8 Violin Diapason
8 Gedact
8 Gamba grooved
8 Celeste
4 Principal
PEDAL
16 Bourdon
8 Bass Flute extension
3 unison couplers.
Balanced pedal to Swell.
Tracker action to manuals, pneumatic to pedals.
The organ stood on the south side of the choir; it had a plain pipe-rack front.
In 1961 Willis replaced the Harmonic Flute with a Fifteenth. The tuning contract was
terminated in 1978, and the present condition of the instrument is unknown.(Historical notes from an account by Leslie Hewitt, May 1986.)
The 1907 organ at Hilltop Methodist is by Albert Keates (Sheffield). Its stoplist is as follows:
GREAT
8 Open Diapason
8 Stop Diapason
8 Dulciana
4 Principal
4 Wald Flute
2 Fifteenth
SWELL
16 Double Diapason
8 Open Diapason
8 Lieblich Gedact
8 Viol di Gamba
8 Voix Celestes tc
4 Gemshorn
8 Cornopean
8 Oboe
Tremulant
PEDAL
32 Acoustic Bass resultant
16 Bourdon
8 Bass Flute extension
Couplers: 3 unison, Swell octave.
Composition pedals: 2 Swell, 2 Great.
Balanced pedal to Swell.
Compass: 58/30.
Tracker action to manuals, pneumatic to pedals.
This stoplist was taken at the console in 1977, and differs in several respects from that
published in 'Musical Opinion', August 1907.The organ is in a chamber at the front right of the church, and sounds rather muted as a result. Otherwise it is a competent if unremarkable example of Keates' work. The church is now known as Trinity Methodist.
(Certain historical details about the Conacher organ are taken from 'Historic Organs in Derbyshire' by Rodney Tomkins, Cromford 1998.)
The stoplist of the organ is preserved in the Willis archives, following an inspection in 1973.
It was built by Albert Keates (Sheffield) in 1923.
GREAT
8 Open Diapason
8 Stopped Diapason
8 Dulciana
4 Principal
4 Harmonic Flute
SWELL
8 Open Diapason
8 Gedact
8 Viol di Gamba
8 Voix Celestes
4 Gemshorn
8 Cornopean
8 Oboe
Tremulant
PEDAL
32 Acoustic Bass
16 Bourdon
8 Bass Flute
Couplers: 3 unison; Swell 8ve & sub8ve.
Balanced pedal to Swell.
Compass: 61/30.
Tubular-pneumatic action.
Henry Willis III cryptically described the stoplist as "archaically secular" for its date. In
1973 the congregation went to Hilltop/Trinity Methodist (above); the Town End building was
demolished. The organ was due to go to "a Methodist church in Barnsley". Its current location
and condition is unknown.
GREAT
8 Small Open Diapason
8 Dulciana
4 Principal
SWELL
8 Lieblich Gedact
8 Vox Angelica
Tremulant
PEDAL
16 Bourdon
Couplers: Great to Pedal, Swell to Great.
Compass: 61/30.
Tubular-pneumatic action.
Drawstop console.
GREAT
8 Open Diapason
8 Stopped Diapason
8 Dulciana
4 Principal
4 Harmonic Flute
SWELL
8 Violin Diapason
8 Gedackt
8 Gamba
8 Celeste
4 Gemshorn
8 Cornopean
Tremulant
PEDAL
16 Bourdon
Composition pedals: 2 Swell, 2 Great.
Balanced pedal to Swell.