DREAM ORGANS
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The mixture stops should have their ranks available separately
or together, an idea suggested by John Compton.
This could be accomplished by separate small
drawstops/tabs.
This stoplist is for an organ in four sections: one each
side of the chancel and one on the east wall
of each transept. The chancel divisions would accompany the choir,
while the transept divisions would accompany the
congregation in the nave.
NORTH CHANCEL
16 Dolcan ext.
8 Wood Traverso
8 Dolce
8 Unda Maris flat
4 Chamois
2 Flageolet
II Sext 12.17
SOUTH CHANCEL
8 Choral Diapason
8 Singend Pommer
8 Salix
4 Choral Principal
II Quartan 12.15
8 Clarinetto
8 Vox Humana
NORTH TRANSPET
unenclosed:
16 Quintaden
8 Wood Principal
8 Muse Gedact
8 Chamois
4 Wood Ocatve
4 Koppel
2 Wide Octave
1 Octavin
III Compound 24.26.29
8 Hautboy
enclosed
III Compound 19.f21.22
16 Fagot
8 Cornopean
4 Zink
SOUTH TRANSEPT
unenclosed:
16 Geigen
8 Principal 1
8 Principal 2
8 Hazel Flute
4 Octave
2 2/3 Nazard
2 Superoctave
V Compound 17.19.22.26.29
8 Trumpet
4 Clarion
enclosed:
8 Koppel
8 Aeoline
8 Aeoline Celeste
4 Flauto Traverso metal
CHANCEL PEDAL
16 Gemshorn
16 Bourdon
8 Gemshorn ext.
8 Bourdon ext.
NORTH TRANSEPT PEDAL
16 Bourdon
16 Quintaden man.
8 Tapered Flute
4 Voice Flute
II Sext 12.17
32 Ophiculus ext.
16 Basson
4 Shofar
SOUTH TRANSEPT PEDAL
32 Geigen man. ext.
16 Wood Basso
16 Geigen man.
8 Principal metal
4 Choral Octave
II Compound 19.22
16 Sackbut
8 Shawm
(1992)