JULIAN RHODES' DREAM ORGANS
Mutations other than Quints and Tierces can generally be considered to be rare.Sevenths and Ninths are not particularly common: some rarer ranks still are listed below.
Given their rarity, I have also included organs with these pitches in Mixture stops: usually I've listed the complete mixture break-down but on occasions, using brackets, I've just indicated the rarer ranks concerned.
Last update: 20 January 2000.
1923 Atlantic City High School - Midmer-Losh V/226 Eleventh 2 10/11; Eighteenth 1 5/11;
Twenty-fifth 8/11
1929 Atlantic City Convention Hall - Midmer-Losh VII/815 Eleventh 2 10/11; Eighteenth 1 5/11;
Twenty-fifth 8/11
1930 Bournemouth Pavilion - Compton Cornet (8/11; 1 3/13)
1937 Lorenzkirche Nürnberg - Steinmeyer Gross Mixtur (4/11, 8/11, 16/11)
1955 Nikolaikirche Siegen - Kemper IV/56 Undezime 8/11
1958 Hertz Hall Berkeley University CA - Holtkamp 1958 Pedal: Cornet (2 10/11)
1959 Matthiaskirche Berlin-Steglitz - Walcker II/41 Schreipfeife 8/11+8/13+8/15
1961 Marienkirche Delmenhorst - Führer IV/47 Partialtöne (1 3/5+2 2/7+1 5/11)
1961 Matthiaskirche Erlangen - Walcker III/46 Oberton 8/7+8/9+8/11
1962 Johanniskirche Kreyenbrück - Führer III/32 Partialton 16/5+2 2/7+1 5/11
1962 St Martin Memmingen - Walcker III/55 Sextan 8/7+8/11
1964 Dreifaltigskirche Kaufbeuren - Schmid IV/56 Undezime 8/11
1964 Martinskirche Kassel - Bosch III/57 Unruh 2/9+2/11+2/15
1965 Nikolaikirche Hamburg - Peter IV/63 Un-Tredezime 8/11+8/13
1966 Dominikanerkirche Landshut - Schmid V/75 Undecime 8/11
1967 Liszt Music School Budapest - Walcker IV/85 Obertöne 2/9+2/11
1969 St Michael Heidenheim - Link III/37 Stabspiel 8/7+8/11+16/19
1969 Ulm Münster - Walcker V/97 Palettenkornet (1 5/11)
1969 Zwickau Dom - Eule IV/77 Un-Tredezime 8/11+8/13
1972 St Peter Sinzig - Walcker III/50 Oberton (8/13+1 5/11+5 9/11)
1975 Aldenham School Chapel - Grant, Degens & Bradbeer III/33 Cornet 8/9+8/11+8/15
1976 St Anna Altötting - Schmid V/82 Undezime 8/11
1977 Kirchenmusikschule Regensburg - Weise III/37 Obertöne 2/11+2/9
1980-3 Elizabethskirche Stuttgart - Rieger IV/57 Flauto in XXXII 8/11
1984 Davies Hall San Francisco - Emisco V/127 Aliquot 8/11+8/13
n.d. Epiphanien Kirche Berlin-Charlottenburg - Voigt III/55 Aliquot 8/11+16/27
THIRTEENTHS
1929 Bournemouth Pavilion - Compton Cornet (8/11+1 3/13)
1958 Hertz Hall Berkeley University CA - Holtkamp 1958 Pedal: Cornet (2 6/13)
1959 Matthiaskirche Berlin-Steglitz - Walcker II/41 Schreipfeife 8/11+8/13+8/15
1961 Marienkirche Delmenhorst - Führer IV/47 Glockenobertöne (8/3+8/5+1 3/13+8/9)
1962 Heilandskirche Berlin - Schmid III/46 Tredezime 8/13
1964 St Martin Kassel - Bosch III/57 Unruh (2/15) (2/13)
1964 Drefaltigskirche Kaufbeuren - Schmid IV/56 Tredezime 8/13
1965 Nikolaikirche Hamburg - Peter IV/63 Un-Tredezime 8/11+8/13
1966 Dominikanerkirche Landshut - Schmid V/75 Tredecime 8/13
1968 Johannisstift Spandau - Walcker IV/61 Tredezime 8/13
1969 Lauben Kirche - Schmid II/22 Hornbaß 3 1/5+2 2/7+1 7/9+1 3/13
1969 Ulm Münster - Walcker V/97 Palettenkornet (1 3/13)
1969 Zwickau Dom - Eule IV/77 Un-Tredezime 8/11+8/13
1972 St Peter Sinzig - Walcker III/50 Cymbal (4/21 2/13 2/17)
1972 St Peter Sinzig - Walcker III/50 Oberton (8/13 1 5/11 5 9/11)
1975 Epiphaniekirche Charlottenburg - Weigle IV/50 Tertian 8/9+8/11+8/13
1976 St Anna Altötting - Schmid V/82 Tredezime 8/13
1984 Davies Hall San Francisco - Emisco V/127 Aliquot 8/11+8/13
FIFTEENTHS
1959 Matthäuskirche Berlin-Steglitz - Walcker II/41 Schreipfeife 8/11+8/13+8/15
1963 St Egidien Nürnberg - Rieger III/42 Terzsept 4/3+8/15
1964 Germantown Unitarian Church Philadelphia - Rieger III/39 Terzsepta 8/5+8/15
1964 St Martin Kassel - Bosch III/57 Unruh (2/15) (2/13)
1965 Freiburg Dom (Marienorgel) - Rieger IV/61 Obertöne 8/5+4/3+8/9+8/15
1965 Neanderkirche Düsseldorf - Rieger III/47 Terzsept 8/5+8/15
1966 St Franziskus Bonn - Klais II/17 Sesquialter 8/3+8/5+1 1/15
1967 St Augustinus Duisdorf - Klais II/21 Sesquialtera 8/3+8/5+1 1/15
1969 Christuskirche München - Rieger III/46 Terzsepta 8/5+8/15
1969 New College Oxford - Grant, Degens & Bradbeer III/47 Teint 16/15+16/19
1969 Würzburg Dom - Klais V/86 Septime 1 1/15
1970 Tokyo Christian University - Rieger III/36 Sesquialtera 8/3+8/5+8/9+8/15
1971 St Bartholomew's New York - Aeolian-Skinner V/170 Sept-Neuf 8/9+8/15
1972 St Peter Sinzig - Walcker III/50 Fünfzehnte 8/15
1974 Lake Wales 1st Presbyterian Church FL - Rieger II/22 Terzsept 8/5+8/9+8/15
1975 Aldenham School Chapel - Grant, Degens & Bradbeer III/33 Cornet 8/9+8/11+8/15
1975 Epiphanie Kirche Charlottenburg - Weigle IV/50 Cornett 3 1/5+1 7/9+1 1/7+1 1/15+1
1978 Ratzeburg Dom - Rieger IV/60 Terzsepta 8/5+17/9+32/15+4/3
1985 National City Christian Church Washington DC - Moller V/178
64' Grand Cornet 4 4/15+2 10/27+1 7/9+1 1/3
1986 Köln Dom - Klais IV/88 Groß Septime 8/15
1992 Charleston 1st Presbyterian Church SC - Ontko & Young IV/65 Tierce-Sept 8/5+1 1/15
SEVENTEENTHS
1972 St Peter Sinzig - Walcker III/50 Cymbal 4/21+2/13+2/17)
NINETEENTHS
1959 St Elisabeth Stuttgart - Rieger Mollzimbel 2/7+1/3+1/4+4/19
1961 Stadtkirche Schorndorf -Walcker III/45 Siebenquart 8/7+16/19
1962 Kaiser Wilhelm Gedächtniskirche Berlin - Schuke IV/64 Terzian 1+16/19
1964 Stadthalle Kassel -Klais III/56 Siebenquarte 8/7+16/19
1964 Martinskirche Kassel - Bosch 1964 Siebenquart 8/7+16/19
1969 New College Oxford - Grant, Degens & Bradbeer III/47 Teint 16/15+16/19
1969 St Michael Heidenheim - Link III/37 Stabspiel 8/7+8/11+16/19
1972 St Peter Sinzig - Walcker III/50 Mollterz 16/19
1975 Ephipaniekirche Charlottenburg - Weigle Glockenton 8/5+4/3+8/7+16/19+16/27
1977 St George Nördlingen - Peter III/50 Oberton 8/7+16/19
TWENTY-SEVENTHS
1964 Germantown Unitarian Church Philadelphia - Rieger III/39 Obertöne 1 1/3+8/9+16/27
1985 National City Christian Church Washington DC - Moller V/178
64' Grand Cornet 4 4/15+2 10/27+1 7/9+1 1/3
n.d. Epiphanien Kirche Berlin-Charlottenburg - Voigt III/55 Aliquot 8/11+16/27
The "Palettenkornet" in the 1969 Walcker organ in Ulm Münster (V/97) is also very
interesting; its full break-down is as follows:
The same organ has a 1-rank Zimbelpfeife in the Brustwerk division, breaking as follows:C 2 4/3 1 G 2 4/3 8/7 c 2 16/11 8/7 f# 16/7 16/11 16/13 b1 8/3 16/7 16/11 d#2 8/3 16/7 8/3 f#3 8/3 16/7 16/9
Similarly, the mixture work at St. Peter, Sinzig and St. Martin, Kassel can be studied with profit.C 1/4 c 1/3 d# 4/11 f# 2/5 a 4/9 c1 1/2 d#1 8/15 f#1 4/7 a1 8/13 c2 2/3 d#2 8/11 f#2 4/5 a2 8/9 c3 1 d#3 8/7 f#3 4/3
DISCLAIMER
The information given above is, to the best of my knowledge, correct.
However, organs change, are rebuilt or destroyed.
Please email me with any further information,
either sins of omission or commission!
(And I know... even builder's leaflets can be in error.)
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