JULIAN RHODES' DREAM ORGANS
I GRAN ORGANO (North side) 16 Flautado Principal 16 Flautado Violon 8 Flautado Fachada 8 Flautado Violon 8 Flauta Armonica 8 Flautado Kuerólophon 4 Octaviante VI Lleno Docena 16 Bombarda 8 Trompeta Real 8 Trompeta Respaldo 8 Trompeta Armonica 8 Corno Inglese 8+4 Bajoncillo y Clarin II CONCERTANTE (South side) 16 Flautado Principal 16 Gamba 8 Flautado 8 Flauta Armonica 8 Flauta Euskarina 8 Hierodofóno VII Lleno Docena 8 Corneta 16 Bombarda 8 Trompeta Respaldo 8 Trompeta 8 Trompeta Angélica 4 Bajoncillo enclosed: 8 Violoncello 8 Flauta Traversera 8 Viola 8 Violon 8 Violon 8 Voz Humana - Campanólogo (30 bells, from c1) III POSITIVO (North side) 16 Flautada Violon 8 Flauta Dulce 8 Flauta Armonica 8 Violon 8 Flauta Dulciana 8 Unda Maris 4 Ocarinas IV Lleno en Quincena 8 Corneta 16 Fagot 8 Trompeta Real 4 Bajoncillo - Piano Arpa (56 metal strings) IV RECITATIVO (North side) 16 Quintatono 8 Flauta Traversera 8 Violon 8 Kuerólophon 8 Gamba 8 Voz Celeste 4 Octava de Gamba 2 Quincena Armonica V Corneta (from c1) 8 Clarinete Fachada 8 Fagot y Oboe 8 Voz Humana PEDAL (South side) 32 Contra Profundas 16 Contra 16 Violon Bajo 8 Violoncello 8 Flautado Violon 4 Bajete 2 2/3 Nazarde 32 Contra Bombardón 16 Bombardón 16 Contra Fagot 8 Trombón Spare stops: 1 Positivo, 2 Recitativo, 2 Pedal. Pedals on left side: Tormenta (orage) Concertante to Gran Organo Positivo to Gran Organo Recitativo to Gran Organo Tremulant to Concertante Gran Organo to Pedal Concertante to Pedal Positivo to Pedal Recitativo to Pedal Pedals on right side: Tremulant to Recitativo Positivo sub8ve Concertante sub8ve Positivo 8ve Concertante 8ve Ventil: Gran Organo & Pedal silent Ventil: Pedal reeds & mutations silent Ventil: Gran Organo silent Ventil: Concertante silent Ventil: Positivo silent Ventil: Recitativo silent Balanced swell pedals: Expression to enclosed stops of Concertante General crescendo (blind) Expression to Recitativo Compass: 56/30. 4,431 pipes.
The organ was built in the old cases on the North and South sides of the Coro. 'Fachada' and 'Respaldo' indicate pipes in the choir case-front and aisle-case-front respectively. The drawstops were arranged in five horizontal rows on each side of the keyboards, with seven stops in each row. The expressive stops of the Concertante were placed above the top manual. The action to the North side was pneumatic and that to the South side electric. The detached console was situated on the North side.
SOURCES:
An article by Ernest Adcock in 'The Organ' quarterly, July 1921, and Fernando Germani's 'Metodo per Organo' vol. 4, 1952.