JULIAN RHODES' DREAM ORGANS
PROPOSALS WHICH REMAINED ON PAPER



John Wanamaker Store, Philadelphia, PA, USA
Stentor Division proposals, 1926-7


The Wanamaker organ was originally built for the 1904 Louisiana Purchase Exposition by the Los Angeles Art Organ Company to the design of G.A. Audsley. It was installed in the Wanamaker store in 1911, and Rodman Wanamaker's enthusiasm for the instrument ensured that additions to it proceeded steadily until his death in 1928. The sixth manual of the new console was to be home to a Stentor division, for which specifications were approved on 24th October 1926 by the resident organist, Charles Courboin, and the head of the Wanamaker organ shop, George Till:


STENTOR DEPARTMENT                                pressure (in.)
     8       Diapason Magna I  (double-languid)         25
     8       Diapason Magna II  (double-languid)        25
     8       Diapason Magna III (double-languid)        25
     8       Diapason Magna IV  (wood)                  25
     4       Octave  (scale 56)                         15
    IX       Sesquialtera  (16ft.)                      15
    XI       Mixture  (16ft.)                           15
    VII      Cymbal  (4ft.)                             15
    32       Bombarde                                   25
    16       Tuba Magna                                 50
    16       Trombone                                   50
    16       Double Trumpet                             50
    16       Contra Post Horn                           50
     8       Tuba Sonora                               100
     8       Tuba Mirabilis                            100
     8       Trombone I                                 75
     8       Trombone II                                75
     8       Brass Trumpet                             100
     8       Muted Trumpet                              50
     8       French Horn (open fff)                     75
     8       French Horn (open fff)                     75
     8       French Horn (closed fff)                   50
     8       French Horn (closed ff)                    50
     4       Tuba Clarion                              100
     4       Clarion Trumpet                            75
 
PEDAL STOPS
    16       Diaphone (unit)                            25
    16       Open Diapason (unit)                       25
   10 2/3    Quint (or reed?)
     8       Diaphone
     8       Open Diapason
     4       Open Diapason
    XI       Grand Mixture (16ft.)                      15
    64       Diaphonic Bombarde (unit)                  50
    32       Diaphonic Bombarde
    32       Bombarde  (man.)
    16       Diaphonic Bombarde
    16       Wood Trombone (unit)                       50
    16       Tuba Sonora (unit)                         50
     8       Diaphonic Bombarde
     8       Wood Trombone
     8       Tuba Sonora

This stoplist shows the tendencies towards repetition and re-emphasis of timbre which were evident elsewhere in the organ (e.g. the six Vox Humanas on Orchestral; the unison ranks in the String division).

Later, for reasons which are not entirely clear, G. Donald Harrison was asked to prepare an alternative proposal for a Stentor division. His stoplist was dated 12th December 1927, and reveals a more chorus-based approach:


STENTOR DEPARTMENT                                   pressure (in.)
    16       Double Diapason  (double-languid)             25
    16       Double Clarabella (wd.)                       25
     8       Diapason No.1 (2rks., double-languid)         25
     8       Diapason No.2 (2rks.)                         25
     8       Major Flute (wd.)                             25
    5 1/3    Quint (st.mtl.)                               25
     4       Octave                                        25
     4       Principal                                     25
    3 1/5    Tenth                                         25
    2 2/3    Octave Quint                                  25
     2       Super Octave                                  25
     V       Grave Mixture  8.12.15.19.22                  25
    VII      Cymbale  19.22.26.29.31.33.36 (prepared)      25
    IX       Grand Chorus  1.5.8.12.15.19.22.26.29         25
    32       Contra Fagotto  (item deleted)                20
    16       Contra Tuba                                   50
    16       Bombarde                                      50
    16       Double French Horn (closed tone)              50
     8       Tuba Mirabilis                               100
     8       Tuba Sonora                                   50
     8       Trombone                                      50
     8       French Horn (open tone, harmonic)             50
     4       Tuba Clarion                                 100
     4       Clarion                                       50
 
PEDAL STOPS
    16       Great Bass (3rks, double-languid, wd. & mtl.) 25
    16       Minor Bass (2rks., wd. & mtl.)                25
    16       Open Bass (16"x18", wd.)                      25
   10 2/3    Quint (wd.)                                   25
     8       Octave (2rks., double-languid, wd. & mtl.)    25
     8       Principal                                     25
     4       Super Octave                                  25
    VII      Harmonics  10.12.15.17.19.21.22               25
     V       Fourniture                                    25
    64       Contra Bombarde                               25
    32       Contra Trombone (unit; wd.)                   50
    32       Bombarde                                      50
    16       Bombarde (French)                             50
    16       Trombone
    16       Ophicleide (unit; mtl.)                       50
     8       Octave Trombone
     8       Trumpet (Oph. ext.)
     4       Clarion (Oph. ext.)

Rodman Wanamaker died before signing the contract for the Stentor, and it was never built. Thus passed the opportunity to construct what would surely have been the most devastating division ever; it would also have firmly put the Wanamaker organ in first place in a list of the world's largest instruments. It was left to Atlantic City a few years later to take pride of place with its choruses of high-pressure brass and 100in. reeds.

The above stoplists are taken from an article by Raymond A. Biswanger III in 'The American Organist', November 1988



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